Friday, June 23, 2006

Matt Hanson aims to raise £1 million to fund the production of a feature-length film which would be distributed freely via the Internet under a Creative Commons licence, all funded through 50,000 people each donating £25 to the project, which he’s called ‘A Swarm of Angels‘.

No stranger to filmmaking, Matt has produced numerous digital short films, a series of books on digital filmmaking and set up the digital film festival onedotzero, now in its tenth year. He wants to finally make a feature length film, and decided that it was better to turn to the Internet for help and funding rather than plod through the usual ‘development hell‘.

“I wanted to put into practice what I’ve been preaching as a film futurist for ten years, and the technology and Internet infrastructure has just really caught up with that vision now for me to put it into practice.”

The process is inspired by the ‘web 2.0‘ movement, using social and collaborative communities on the Internet. Matt doesn’t see the funding as coming from donations, but as people paying a subscription to become part of a ‘Swarm’. “Rather than the ‘many producer’ model, this is more of an ^[sic] ‘smart consumer’ model … members can help implement and bring their expertise into play, and so become more actively involved in the production.”

The project hopes to use professional actors and crew, but use qualified members from the swarm as much as possible. The cast and the crew, including any volunteers that get chosen, would be paid for their work on the film, with Matt suggesting that this is “a great way for people to get into the industry”.

Those members not directly involved in making the film can still participate in the process by discussing ideas on a messageboard, and having a vote on certain crucial decisions such as which script gets chosen for production. Asked how he would balance his own creative direction with input from members, Matt said “my vision will lead the project forward and define the parameters, but the Swarm can influence that, and indeed offer improvements or insights I might not think of alone”.

“Remember filmmaking is always a team effort – whether you are Martin Scorsese, Stanley Kubrick or Jean Luc Godard, you promote people within the project that will complement and bring something extra to the vision of the film. Give it more life. With the Swarm we are making that process more democratic, and giving a wider range of people an opportunity to shine and have creative input.”

Members are promised a collector’s edition DVD of the end product and exclusive merchandise, but the main distribution of the film will be via the Internet, using ‘BitTorrent‘ and peer-to-peer networks. “Unlike many other filmmakers, I’m not wedded to cinema projection as the ‘be all and end all’ – I’m much more excited about people viewing remixed versions on their video iPods,” explains Matt.

The ‘remixing’ of the film will be possible thanks to it being distributed under a Creative Commons licence. Matt suggests that the ‘younger generation’ is more used to being involved with and interacting with entertainment, and points to remixes of the Star Wars films (eg ‘The Phantom Edit‘) as an example of these ‘mashups’. “At the end of the project I would love to have an event that showcased five wildly different versions of the film, different visions from people other than my definitive initial edit,” he suggests. The licence will be for non-commercial use only, however, and so commercial TV stations would still have to pay in order to screen the film.

The project is partly inspired by the success of ‘The Million Dollar Homepage‘, in which British student Alex Tew aimed to raise a million dollars to fund his university education, simply by selling advertising space on a single web page. The publicity surrounding the idea, coupled with the ‘viral’ effect of Internet users passing the page on, meant that he eventually managed to make himself the million dollars.

The success of these projects partly seems to depend on them being interesting and original enough to attract enough attention, and it’s often difficult to see how they could be repeated. Copy-cat versions of the million dollar homepage have so far failed to hugely take off. When asked about this idea, Matt responded “I already expect people to copy the model we are inventing with A Swarm of Angels – it’s a perfect way to create cult media, where the director gets more creative control and organically funds a project, and the fans of the project get more involvement within it. If the market gets too crowded with these projects though, then they’ll have to be packaged differently to stand out. But that’s what traditional film and media projects need to do anyway.”

Over 600 members have signed up to the ‘swarm’ so far, which Matt comments is already an early success, but 50,000 members in total will be needed in order to fully fund the £1 million budget. Matt suggests that getting to the next stage, of reaching 1,000 members, followed by the phase of getting 5,000 members, will be the hardest part, as after that the film will be more ‘tangible’. He expects to raise the full budget, but comments that if the fundraising stalls, “options will be presented by advisors and The Swarm, and based on some kind of consensus we’ll come up with the best option for moving forward.”

Traditionally, independent films are funded either through persuading wealthy individuals to invest, who sometimes are sometimes given ‘Executive Producer‘ credits, or through organisations like the UK Film Council, who award funds from the National Lottery. A tax credit for producers making small films in the UK was announced by the government in 2005, in a bid to give a boost to the UK independent film industry.

Matt says that the film will be “a thriller with soft science fiction elements”, which he says will suit his target audience. “But it will have an indie edginess to it, and be far more visually inventive than you would get with a ‘normal’ British independent feature.” Contributors to the project include artists The Kleptones, who will help with the soundtrack, comic book writer Warren Ellis and documentary filmmaker Grant Gee.

The Swarm of Angels project is online at aswarmofangels.com and costs £25 as an individual to become a member.

Tuesday, February 26, 2008

Pakistan has lifted a ban on the video-sharing website YouTube, which was said to be brought in after a video offensive to Islam was uploaded to the site. According to the Pakistan Telecommunication Authority (PTA), the offending material was in relation to a trailer for a film by Geert Wilders, a Dutch politician.

The PTA ordered the country’s 70 internet service providers to ban YouTube. However, their actions mistakenly blocked the site on other international ISPs, preventing many countries’ access to the popular site for around two hours.

Wilders is expected to release a movie about violence in Islamic culture. The film called Fitna would be set ‘inside’ the Koran, with a book frame surrounding the images and a mix of Koran verses with footage of executions and other violence in Islamic countries such as Iraq, Iran and Saudi Arabia.

In the United States, the Federal Bureau of Investigation (FBI) and the Department of Homeland Security (DHS) fear that the release of the movie might trigger a worldwide surge of violence. It is expected that the film will show the destruction of a Koran, which is “tantamount to heresy” in Islam, according to the FBI/DHS report. The Dutch Prime Minister has said that the movie has caused a serious crisis situation, with several Dutch embassies and companies abroad worrying about safety. Wilders has previously declared that the Koran should be banned, and he has compared it to Hitler‘s Mein Kampf.

The PTA has also blocked websites depicting the controversial cartoons of Muhammad published by a Danish newspaper in 2006 that also sparked violence in the Muslim world. Some of the cartoons have recently been reprinted.

This is not the first time a country has moved to block YouTube. Turkey and Thailand both chose to temporarily ban the sites, as did Morocco which blocked the site after a video criticising the country’s treatment of Western Saharans was uploaded.

Saturday, January 6, 2018

On Wednesday, a team of over 200 scientists led by astronomer Tabetha Boyajian announced the mysterious dim-and-recover behavior of stellar object KIC 8462852, also called “Boyajian’s Star” or “Tabby’s Star,” is likely to be due to clouds of color-warping space dust and not a planet, another star or, as some astronomers have hypothesized, a giant structure built by a distant civilization.

“If a solid, opaque object like a megastructure was passing in front of the star, it would block out light equally at all colors,” Dr. Boyajian told the press. “This is contrary to what we observe.” And, in a separate statement, “Dust is most likely the reason why the star’s light appears to dim and brighten. The new data shows that different colors of light are being blocked at different intensities. Therefore, whatever is passing between us and the star is not opaque, as would be expected from a planet or alien megastructure.”

The research team analyzed 22 months of data collected by an array of ground-based telescopes that covered many wavelengths of light. The study period lasted from March 2016 to December 2017, which included a number of decreases in brightness. The first dip started on the night of Thursday May 18. A robotic 14-inch Celestron telescope at Fairborn Observatory in Arizona watched Tabby’s star lose brightness by a dramatic 3% by Friday, confirming a prediction the star would undergo its unusual dimming events once every 750 days. Other major telescope projects and citizen astronomers confirmed these findings. That dip was complex and continued through to the following Sunday, after a brief rise in brightness over the weekend. It ended a few days later, with Boyajian and fellow astronomer and co-author of the recent paper Jason Wright discussing the phenomena with the public via Twitter: “will we have a flurry of dips to come? Stay tuned!”

“Tabby’s star[…] went through a lot of very strange dimming events that got up to 22% dimmer during the Kepler Mission, and since then we’ve been eagerly awaiting another dip. And the reason that we’ve been waiting for that is that whatever is causing the star to get dimmer will leave a spectral fingerprint behind,” said Dr. Jason Wright of Pennsylvania State University, after the May event, now a co-author of the current work. “So if it’s a lot of dust between us and the star that’s passing by, it should block more blue light than red light. If there’s gas in that dust, that gas should absorb very specific wavelengths. So we’ve been eager to see one of these changes, these dips in the star, so we can take the spectra.” He also addressed space fans at the time via Twitter: “ALERT:@tsboyajian’s star is dipping This is not a drill. Astro tweeps on telescopes in the next 48 hours: spectra please!”

The primary mission of the Kepler project monitored more than 150,000 stars with the primary goal of detecting exoplanets. If a star gets dimmer but then recovers, a planet may have passed in front of it. But Tabby’s star has shown something else. An exoplanet can cause its sun to dim by perhaps 1% and not for very long. Some of Tabby’s dips have been this mild, but others have hit 20% and lasted weeks. It also tends to recover only partially, slowly showing a net dimming over the years.

The plethora of hypotheses behind Tabby’s star has made it a favorite among space fans and both professional and amateur astronomers. Space dust was one of the many hypothesized explanations, but if that’s the reason, its origin was and remains a mystery with stargazers speculating many giant comets could be on elliptical orbits or breaking up in front of it or the dips in brightness could be aftereffects of the star consuming a planet. Some even hypothesized alien civilizations might have been harvesting the sun’s energy using a Dyson sphere. The Search for Extraterrestrial Intelligence (SETI) devoted some observation time to Tabby’s star in the fall of 2016 as part of the Breakthrough Listen project. No radio or laser pulse signals were detected.

“This latest research rules out alien megastructures, but it raises the plausibility of other phenomena being behind the dimming,” said Dr. Wright. “There are models involving circumstellar material — like exocomets, which were Boyajian’s team’s original hypothesis — which seem to be consistent with the data we have […] some astronomers favor the idea that nothing is blocking the star — that it just gets dimmer on its own — and this also is consistent with this summer’s data.”

This study is a departure from many previous works in that it relies heavily on the work of citizen scientists, volunteers who help examine the great quantities of data produced by NASA’s Kepler mission. The follow-up observations after the Kepler project were funded by a $100,000 Kickstarter to continuously monitor Tabby’s star. The unusual behavior of Tabby’s star was discovered in 2011 by volunteers for the Planet Hunters citizen science project, which was implemented to search for planets in the Kepler data.

“It’s exciting. I am so appreciative of all of the people who have contributed to this in the past year — the citizen scientists and professional astronomers. It’s quite humbling to have all of these people contributing in various ways to help figure it out,” Dr. Boyajian said in a statement.

[edit]

Monday, February 18, 2008

Volunteers and interested people could visit the Belgian Indymedia headquarters in Brussels on Sunday during their second open door day. Around 50 people came to hear about the organisation’s evolution during 2007 and what’s coming up for 2008. A book about citizen journalism, with contributions from both mainstream journalists and several alternative media experts, was also presented. And the Indymedians mingled, with loungy Creative Commons music in the background.

Indymedia.be was founded in 2000, only a few months after Indymedia’s inception at the alter-globalist protests at the World Trade Organisation‘s summit in Seattle. This made them the first Indymedia on the European mainland. The Independent Media Center’s trademark is politically left, social reporting. The initial growth was slow, but during 2007, the organisation grew to around 110 regular contributors, with the first steps towards regional groups in Brussels and Antwerp. The public today could also visit the brand new media centre with new equipment. And although readership has increased exponentially to around 7000 visitors per day (and with it, server costs), finances have not, leading to a fund raising campaign.

Several projects during 2007 aimed to increase the quality of the articles; research projects such as those on the Belgian elections and formation crisis centred on social issues, where the mainstream media itself recognised that the political debate was often monotonous and lacking content.

Nevertheless, bringing analysis and background will continue a challenge during 2008. During the photographer’s workshop, the possibilities for photo documentary and photo-based interviews vs. simple photo reporting were illustrated as an alternative to bringing “just a bunch of pictures from another street protest.”

As a central player in the field of alternative media in Belgium, Indymedia also wants to stir the debate about participatory journalism. This has led to their first ‘media reader’ about the topic, and the creators hope more versions will follow.

Wednesday, April 13, 2011

NASA celebrated the launch of the first space shuttle Tuesday at an event at the Kennedy Space Center (KSC) in Cape Canaveral, Florida. On April 12, 1981, Space Shuttle Columbia lifted off from the Kennedy Space Center on STS-1, the first space shuttle mission.

NASA held a ceremony commemorating the date outside the hangar, known as Orbiter Processing Facility-1, for Space Shuttle Atlantis, which is being prepped for its final mission which will be STS-135, which will be the last Space Shuttle mission.

At the ceremony, NASA Administrator Charles Bolden announced the locations that would be given the three remaining Space Shuttle orbiters following the end of the Space Shuttle program. The prototype orbiter, Space Shuttle Enterprise would be relocated from the Smithsonian’s National Air and Space Museum Steven F. Udvar-Hazy Center at Washington Dulles International Airport to the Intrepid Sea-Air-Space Museum in New York City.

Space Shuttle Discovery will take the place of Enterprise at the Udvar-Hazy Center. Discovery has already been retired following the completion of STS-133 last month, its 39th mission. Discovery is undergoing decommissioning and currently being prepped for display by removing toxic materials from the orbiter.

Space Shuttle Endeavour, which will launch on STS-134 at the end of the month on April 29, will be sent to the California Science Center in Los Angeles, California following its retirement. Finally, Atlantis will go on display at the Kennedy Space Center Visitor Complex following the orbiter’s last flight which launches June 28.

Columbia was lost tragically back on February 1, 2003 when it disintegrated during re-entry killing all seven astronauts aboard. Space Shuttle Challenger was lost when it exploded 73 seconds after liftoff back on January 28, 1986 killing all six aboard.

“We want to thank all of the locations that expressed an interest in one of these national treasures,” said Bolden to the gathered crowd which contained many KSC employees. “This was a very difficult decision, but one that was made with the American public in mind. In the end, these choices provide the greatest number of people with the best opportunity to share in the history and accomplishments of NASA’s remarkable Space Shuttle Program. These facilities we’ve chosen have a noteworthy legacy of preserving space artifacts and providing outstanding access to U.S. and international visitors.”

Over twenty locations looked to obtain one of the orbiters because of potential tourism booms from them.

Not all were pleased with the final choice of locations. U.S. Senator John Cornyn, Republican from Texas, issued a statement regarding the rejection of Johnson Space Center (JSC) in Houston, Texas as a location. “Like many Texans, I am disappointed with NASA’s decision to slight the Johnson Space Center as a permanent home for one of the Space Shuttle Orbiters. Houston has played a critical role throughout the life of the space shuttle, but it is clear political favors trumped common sense and fairness in the selection of the final locations for the orbiter fleet.”

Cornyn’s statement added, “There is no question Houston should have been selected as a final home for one of the orbiters—even Administrator Bolden stated as much. Today’s announcement is an affront to the thousands of dedicated men and women at Johnson Space Center, the greater Houston community and the State of Texas, and I’m deeply disappointed with the Administration’s misguided decision.” However, the JSC will recieve pilot and commander seats from the flight deck.

The Museum of Flight in Seattle, Washington was also proposed as another location for a shuttle, going so far as to build a new building to house an orbiter. In a statement, Governor of Washington Chris Gregoire said, “The Museum of Flight put a tremendous amount of effort into landing a retired shuttle in the Pacific Northwest. As the home of modern day air travel and the 747, which has gracefully transported shuttles for the last 30 years, Seattle would have been a perfect fit. While the Museum of Flight was in the top running, I’m disappointed that NASA did not choose them.

“However, the full fuselage trainer, that every astronaut including [former Museum of Flight CEO] Bonnie Dunbar has been trained on, will soon call the Museum of Flight home. The largest of the trainers, this addition will allow visitors to actually climb aboard the trainer and experience the hands-on training that astronauts get. Visitors will not be allowed in the other shuttles and this trainer is a true win for our dynamic museum. It will help inspire young people to the adventure of space and to the excitement of a career in science, technology, engineering and math.”

Other items include various shuttle simulators which will be given to the Adler Planetarium in Chicago, Illinois, the Evergreen Aviation & Space Museum of McMinnville, Oregon, and Texas A&M’s Aerospace Engineering Department. The nose cap assembly and crew compartment trainer for the National Museum of the U.S. Air Force at Wright-Patterson Air Force Base in Ohio and orbital maneuvering system engines for the U.S. Space and Rocket Center in Huntsville, Alabama, the National Air and Space Museum, and the Evergreen Aviation & Space Museum.

NASA is also offering shuttle heat shield tiles to schools and universities that want to share technology and a piece of space history with their students.

The 30th anniversary of the first shuttle mission coincided with the 50th anniversary of the first manned space flight when Yuri Gagarin lifted off aboard Vostok 1 into space.

Friday, April 28, 2017

Debian, a free and open source (FOSS) Linux-based operating system, on Tuesday announced they are to shut down Debian’s public File Transfer Protocol (FTP) in November, via their official website. The public FTPs are to be redirected to Hyper-Text Transfer Protocol (HTTP) from November 1.

On Debian’s announcement list, Cédric Boutillier, a Debian developer, called the file transfer protocol “inefficient”, saying “FTP servers have no support for caching or acceleration.” Boutillier also added that FTP servers are rarely used. For over a decade, Debian installers have not supported FTP access on mirrors. This decision, however, would not affect the developer services, which would still support FTP.

FTP came into existence about 46 years ago for transferring files between two machines, without encryption. According to Boutillier, FTP “requires adding awkward kludges to firewalls and load-balancing daemons.” HTTP, which came after FTP, was designed for data flow between servers and clients. Popular Linux distros like Kali Linux and Canonical’s Ubuntu are based on Debian. The following websites are to be redirected to HTTP — rather than secure HTTPS — after October without changing the domain names:

1. http://ftp.debian.org
2. http://security.debian.org

Wednesday, December 27, 2006

At least 68 different pieces of luggage has been found behind a pet store inside a garbage dumpster in Houston, Texas. The luggage came from several different international flights and authorities do not know how they got there or if the contents of the luggage have been stolen.

“We’re going to be investigating and the authorities are going to be investigating,” said spokeswoman for Continental Airlines, Mary Clark. All luggage was handed over to Continental Airlines.

The luggage is reported to have been sifted through, and most pieces have come from all over the world. The luggage is reported to have come from Bush Intercontinental Airport. Some pieces of the luggage have name tags and Clark states that “we’re trying to reach whoever we need to let them know the bags are there.”

Officers with the Houston Police Department are in charge of the investigation. The luggage was found by individuals who own the pet store.

The FBI has stated that the bags do not pose any danger.

Tuesday, May 15, 2007

According to the Christian Post, Don Levine, the creator of the G.I. Joe, will be creating a line of action figures based on characters from the Old Testament. Released this month are action figures of Samson, David, Noah, Moses, and dolls of Queen Esther and Deborah the Warrior. The toys come with their own Bible storybook. By the fall, the line will expand to 35 products. Levine has began developing a DVD series and television show.

While certainly not the first action figures, dolls, or animated programs based on Biblical characters, it is perhaps the first to launch with a full-fledged licensing program. Already a comic book, narrated CDs, wallet, flashing pins, dog tags, and necklaces have been released.

Levine created G.I. Joe for Mattel in 1963, after a licensing agent suggested soldier figures might have the same success as their Barbie line.